KANSAS CITY * Song * - Several Artist -

Resultat d'imatges de KANSAS CITY NIGHTCLUBS 1954


Kansas City quizá sea uno de los temas más versionados en toda la historia de la música moderna, nos gusta particularmente el tema de Leiber y Stoller que escribieron en 1952. Sabemos que lo de las comparaciones es odioso, dicen .... no sería el caso. Hemos escogido las versiones que consideramos mejores para que vosotros mismos decidáis cual os gusta más . Ni que decir tiene que nos quedamos con todas ellas, cada una en su estilo . Hay multitud de covers, entre ellos uno los mismisimos The Beatles que no ponemos por vergüenza ajena : Infame ! .  Oid , comparad y vuestras son todas !!! 

             


Original song"Kansas City" is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, the song later became a #1 hit when it was recorded by Wilbert Harrison in 1959. "Kansas City" became one of Leiber and Stoller's "most recorded tunes, with more than three hundred versions," with several appearing in the R&B and pop record charts.
"Kansas City" was written by Jerry Leiber and Mike Stoller, two nineteen-year-old rhythm and blues fans from Los Angeles, who had their first success writing Charles Brown's #7 R&B chart hit "Hard Times". Neither had been to Kansas City, but were inspired by Big Joe Turner records.

I'm goin' to Kansas City, Kansas City here I come (2x)
They got a crazy way of lovin' there, and I'm gonna get me some
I'm gonna be standing on the corner, of Twelfth Street and Vine (2x)
With my Kansas City baby, and a bottle of Kansas City wine...

Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie LittlefieldThere was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevailed. They taught the song to Littlefield at Maxwell Davis' house, who arranged and provided the tenor sax for the songLittlefield recorded the song in Los Angeles in 1952, during his first recording session for Federal Records, a King Records subsidiary. Federal's Ralph Bass changed the title to "K. C. Lovin'", which he reportedly considered to sound "hipper" than "Kansas City". Littlefield's record had some success in parts of the U.S., but it did not reach the national chart.

In 1955 Little Richard recorded two rather different versions of "Kansas City": on September, 13 (supervised by Bumps Blackwell), and on November, 29 (with five vocalists, supervised by Art Rupe). The first version, which was very close to the original song, was released much later, in November 1970, on compilation album Well Alright! The second version which had the same name, but which had been substantially re-worked by Little Richard (in particular, this version featured the new refrain starting with words "Hey, hey, hey, hey; Hey baby, hey child, hey now") was released in March 1959 on The Fabulous Little Richard and in April 1959 as single (position 95 of US Charts, and position 26 of UK Singles Chart). Later this particular version has been covered by The Beatles.

In 1956 (May 9) Little Richard recorded his own song Hey-Hey-Hey-Hey, also known as "Hey-Hey-Hey-Hey! (Goin' Back to Birmingham)" which turned out to be very similar to a part of second version of "Kansas City" recorded six months earlier (and which had the same refrain as mentioned above). So a new song had been introduced — it included most of the changes made by Little Richard to the second version of "Kansas City" and got a new name and new writer, Richard Wayne Penniman (Little Richard himself). This song was released in January 1958 as B-side of Good Golly, Miss Molly (Specialty 624) and in July 1958 on Little Richard.

So it happened that the public perceived the song "Hey-Hey-Hey-Hey" (released in 1958) as an earlier work than "Kansas City" (released in 1959) and as its predecessor (while in fact it was actually the other way around). This allowed Little Richard to claim co-authorship with respect to this version of the song. In 1964 when The Beatles released their album featuring their version "Kansas City" as performed by Little Richard (naturally, the second version, as the first one was not yet released at that time) the attorneys representing Venice Music made a complaint, and as a result the record label was revised to read: "Medley: (a) Kansas City (Leiber/Stoller) (P)1964 Macmelodies Ltd./KPM; (b) Hey, Hey, Hey, Hey (Penniman) Venice Mus. Ltd. (P)1964." Formally, however, this song could hardly be called a medley, as by definition a medley is a piece composed from parts of existing pieces. Moreover, when Little Richard was recording "Kansas City", the song "Hey-Hey-Hey-Hey" did not yet exist.


             

James Columbus McShann(Jay McShann)12.01.1909 Oklahoma X 07.12.2006 Kansas City gran pianista Director de Orquesta y Jazz....Aaron Thibeaux Walker(T.Bone Walker 28.05.1910 Texas X 15.03.1975 Los Angeles guitarrista Blues,Jum,Texas blue


                                    
            


          Data de càrrega: 8 de des. 2010
http://solo-blues.blogspot.com/


Este tema se incluyó en el repertorio de Muddy de finales de los 70, con la colaboración de Pinetop Perkins casi siempre, de manera que disponemos de unas cuantas versiones del mismo, tanto en disco como en video. Ésta es la mejor, para mi gusto, gracias principalmente a la soberbia armónica de Jerry Portnoy en tercera posición (tampoco los solos de Bob Margolin y Luther Johnson son moco de pavo, por cierto). Varsovia, Polonia, 1976.



               









 NOTA : Si tenéis curiosidad por escuchar la " version " de THE BEATLES , vá ahí la tenéis ...según como lo oigas tampoco está tan mal el mideley que se montan ..... eran otros tiempos y empezaban a ser los FAB -FOUR !! ......................... 

                                                     


       
          































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