FREDDY SLACK (II)


    El pianista FREDDIE SLACK fué uno de los que popularizó en su momento el tema que compuso Don RAYE ,  DOWN THE ROAD A PIECE , Freddie tocaba tambien la batería y era un hombre muy popular y requerido por las grandes formaciones de los años 40's., hasta el punto de tocar con la orquesta de Jimmy Dorsey , y en otras circunstancias contó en su propia orquesta con el guitarrista T. BONE WALKER, acompaño a Big Joe Turner , etc , etc. cuando ya había obtenido un éxito notable con la versión de la joven cantante ELLA MAE MORSE , que poéis ver en la foto , todo una personalidad Mr. Freddie Slack 




Born in La Crosse, Wisconsin, he learned to play drums as a boy. Later he took up xylophone and at 13 changed to piano. He studied with a local teacher throughout high school. At 17 his parents moved to Chicago where he continued his musical training. He met Rosy McHargue, a well known clarinetist, who took him to hear many leading musicians including Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin at the Beach View Gardens. He later moved to Los Angeles where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton, before joining Ben Pollack in 1934.

He played with the Jimmy Dorsey Band in the 1930s and was a charter member of the Will Bradley Orchestra when it formed in 1939. Known to bandmates as "Daddy Slack," he played the piano solo on Bradley's recording of "Beat Me Daddy, Eight to the Bar", one of the early white boogie-woogie hits and a classic of the Big Band era.

After forming his own band in 1942 and signing with the newly founded Capitol Records, he recorded three songs at the third Capitol recording session on May 21, 1942. His recording of "Cow Cow Boogie," sung by the 17-year-old Ella Mae Morse, was the second record Capitol issued on July 1, and by July 25 it had reached number 1 on the hit parade. It was Capitol's first gold single.

T-Bone Walker was a member of Slack's band from 1942 to 1944 and Slack later accompanied Walker on his first solo recording for Capitol, Mean Old World. This band also had a hit with "Strange Cargo."

Slack continued to record with Capitol until at least 1950, recording some 80 tracks for the label.

Slack also recorded as an accompanist for Big Joe Turner, Johnny Mercer, Margaret Whiting, and Lisa Morrow.

In the original version of the song "Down the Road a Piece", recorded in 1940 by the Will Bradley Orchestra, Slack is mentioned in the lyrics:

If you wanna' hear some boogie then I know the place
It's just an old piano and a knocked-out bass.

The drummer-man's a guy they call 8-beat Mack
You remember Doc and old "Beat Me Daddy" Slack.

Man it's better than chicken fried in bacon grease
Come along with me boys, it's just down the road a piece.

"Eight Beat Mack" refers to drummer Ray McKinley, and "Doc" refers to the band's bass player, Doc Goldberg.

His 1955 album Boogie Woogie on the 88 featured a horn section including jazz musicians Shorty Sherock and Herbie Harper among others, and with arrangements by Benny Carter.

He also co-wrote the 1945 classic "The House of Blue Lights" first recorded with singer Ella Mae Morse, and later by Chuck Miller, The Andrews Sisters, Chuck Berry, and Jerry Lee Lewis.




                             



Cuban Sugar Mill (Slack) by Freddie Slack & his Orchestra (CD audio source)

TIP: Click this link to browse through all 113 videos of the 1944 HITS ARCHIVE collection, alphabetically arranged in the convenient YouTube Playlist format: https://www.youtube.com/playlist?list...

THE 1944 HITS ARCHIVE - here in one place, a good-quality library of best-sellers and songs that made an impact, presented in the original-release versions (no remakes, alternate takes, or "re-processed stereo")

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Entrades mes vistes darrers 30 díes