DAVID " HONEBOY " EDWARDS

    El Historiador y folckorista ALAN LOMAX fué el primero que le grabó allá por el año 1942 , en uno de sus viajes de rastreo bluesero por el Delta para la Librería del Congreso. A partir de entonces se daría continuación a la carrera que David había iniciado al irse de casa a los catorce años para acompañar a BIG JOE WILLIAMS, que fué el primero que grabó el tema que mas abajo os ponemos en la versión del propio DAVID HONEBOY EDWARDS , un tema que por otra parte grabaron infinidad de artistas : CRAWLING KING SNAKE 

                             

              

"Crawling King Snake" (alternatively "Crawlin' King Snake" or "Crawling/Crawlin' Kingsnake") is a blues song that has been recorded by numerous blues and other artists. It is believed to have originated as a Delta blues in the 1920s[1] and be related to earlier songs, such as "Black Snake Blues" by Victoria Spivey (1926 OKeh 8338) and "Black Snake Moan" by Blind Lemon Jefferson (1926 OKeh 8455).

As "Crawling King Snake", it was first recorded by Big Joe Williams on March 27, 1941. The song is a country-style blues, with Williams on vocal and nine-string guitar and William Mitchell providing imitation bass accompaniment. On June 3, 1941, Delta bluesman Tony Hollins recorded "a markedly different version"(OKeh 06350), which served as the basis for many subsequent versions.

                                    

The Crossroads Guitar Festival crowd sing Happy Birthday to David "Honeyboy" Edwards just days before his 95th birthday. He then performs a song on a side stage at Crossroads 2010. Harp player is his longtime performing partner Michael Frank.

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David "Honeyboy" Edwards (June 28, 1915 – August 29, 2011) was a Delta blues guitarist and singer from the American South.

Edwards was born in Shaw, Mississippi. Edwards was 14 years old when he left home to travel with blues man Big Joe Williams, beginning life as an itinerant musician which he led throughout the 1930s and 1940s. He performed with famed blues musician Robert Johnson with whom he developed a close friendship. Honeyboy was present on the night Johnson drank poisoned whiskey which killed him and his story has become the definitive version of Johnson's demise. As well as Johnson, Edwards knew and played with many of the leading bluesmen in the Mississippi Delta, which included Charley Patton, Tommy Johnson, and Johnny Shines. He described the itinerant bluesman's life:

On Saturday, somebody like me or Robert Johnson would go into one of these little towns, play for nickels and dimes. And sometimes, you know, you could be playin' and have such a big crowd that it would block the whole street. Then the police would come around, and then I'd go to another town and where I could play at. But most of the time, they would let you play. Then sometimes the man who owned a country store would give us something like a couple of dollars to play on a Saturday afternoon. We could hitchhike, transfer from truck to truck, or if we couldn't catch one of them, we'd go to the train yard, 'cause the railroad was all through that part of the country then...we might hop a freight, go to St. Louis or Chicago. Or we might hear about where a job was paying off – a highway crew, a railroad job, a levee camp there along the river, or some place in the country where a lot of people were workin' on a farm. You could go there and play and everybody would hand you some money. I didn't have a special place then. Anywhere was home. Where I do good, I stay. When it gets bad and dull, I'm gone.

Edwards performing in Somerset, Kentucky, July 19, 2008.

Folklorist Alan Lomax recorded Edwards in Clarksdale, Mississippi in 1942 for the Library of Congress. Edwards recorded 15 album sides of music. The songs included "Wind Howlin' Blues" and "The Army Blues" He did not record commercially until 1951, when he recorded "Who May Be Your Regular Be" for Arc under the name of Mr Honey. Edwards claims to have written several well-known blues songs including "Long Tall Woman Blues" and "Just Like Jesse James." His discography for the 1950s and 1960s amounts to nine songs from seven sessions From 1974 to 1977, he recorded material for a full length LP, I've Been Around, released in 1978 on the independent Trix Records label by producer/ethnomusicologist Peter B. Lowry. Kansas City Red played for him for a brief period and Earwig recorded them in 1981 along with Sunnyland Slim and Floyd Jones on the album, "Old Friends Together for the First Times".

His autobiography is entitled The World Don't Owe Me Nothing: The Life and Times of Delta Bluesman Honeyboy Edwards. Published in 1997 by the Chicago Review Press, the narrative recounts his life from childhood, his travels through the American South, and his arrival in Chicago in the early 1950s. A companion CD by the same title was released by Earwig Music shortly afterwards. His long association with the Earwig label and manager Michael Frank spawned many late career albums on a variety of independent labels from the 1980s on. He has also recorded at a Church turned-recording studio in Salina, Kansas and released albums on the APO record label Edwards continued the rambling life he describes in his autobiography as he still toured the world well into his 90s.

On July 17, 2011 his manager Michael Frank announced that Edwards would be retiring due to ongoing health issues.

On August 29, 2011 Edwards died at his home, of congestive heart failure, at approx. 3 a.m.According to events listings on the Metromix Chicago website, Edwards had been scheduled to perform at noon that day, at the Jay Pritzker Pavilion in Chicago's Millennium Park.