JOHN DEE HOLEMAN

John Dee Holeman nació 24 de abril 1929, en el condado de Orange, Carolina del Norte, y se crió en una pequeña granja familiar.Escuchó por primera vez el blues en los bailes de las casas y reuniones de campo en la comunidad afroamericana. Él comenzó a tocar  la guitarra cuando tenía 14 años de edad, aprendiendo rápidamente las canciones del PIEDMONT escuchó a su tío y su primo que le influenciaron definitivamente. 

Blind Boy Fuller fue inmensamente popular en ese momento, y Holeman fue influenciado por sus grabaciones del sonido distintivo Piamont. La región de Piamont abarca una cadena de colinas que corre entre las montañas Apalaches y la llanura costera del Atlántico, desde Virginia a través del Norte y Carolina del Sur y Georgia a Florida. La música de cuerda de banda prosperó en la región - realizado por ambos negros y blancos - y el blues surgió en la zona, lo que probablemente refleja una tradición musical antes que los blues del Delta de Mississippi, 

Cuando era joven, Holeman también disfrutó viajando y escuchando bluesmen de otras áreas del Sur, y  las grabaciones de Chicago y el Delta, y a músicos blancos y negros en la radio. Siendo todavía un adolescente, comenzó a tocar música en las fiestas de la casa, Sábado noche cenas y reuniones comunitarias en toda su área de Carolina del Norte rural. En las danzas de los países, Holeman también aprendió la tradición de "palmaditas juba". Juba, el uso de ritmos complejos mano para proporcionar sincronización para los bailarines, es una tradición de siglos entre los africanos y afroamericanos. Dónde Holeman creció, era costumbre cuando los músicos del show  tomaban  un descanso para que los hombres pudieran  participar en el baile en solitario competitivo acompañado sólo por los ritmos "palmaditas" mano o. "Juba" se refiere tanto a los ritmos de la mano complejas y el baile tradicional hecho a ellos. El baile hecho al ritmo juba también se llama "buckdance", "busto hacia abajo" y "jigging". "Patting" se distingue por ir dando palmaditas con las manos por el pecho y piernas, 

Ver un ejemplo !! 

                   

                     

                     

                       

John Dee Holman often misspelled "Holeman," (born April 4, 1929) is an American Piedmont blues guitarist, singer, and songwriter. His music includes elements of Texas blues, R&B and African American String Band music. In his younger days he was also known for his proficiency as a 'buckdancer'.

Holman was born in Hillsborough, North Carolina, United States, but since 1954 he has been based in Durham, North Carolina. Inspired by Blind Boy Fuller, Holeman was both singing and playing his guitar at local parties and other events by his mid-teens. By his mid-twenties Holeman had bought his first electric guitar and relocated to Durham, where he played with the pianist, Fris Holloway. The duo became adept at the Juba dance, also known as the hambone or buckdance.

"As a young man, Holman also listened to traveling bluesmen from other areas of the South, to recordings from Chicago and the Delta, and to black and white musicians on the radio. While still a teenager, he started playing music at house parties, Saturday night suppers, and community gatherings throughout his area of rural North Carolina. At country dances, Holman also learned the tradition of "patting juba." Juba, the use of complex hand rhythms to provide timing for dancers, is a centuries-old tradition among Africans and African Americans. Where Holman grew up, it was customary when party musicians took a break for males to engage in competitive solo dancing accompanied only by hand or "patting" rhythms. "Juba" refers to both the complex hand rhythms and the dance traditionally done to them. The dance done to the juba rhythm is also called "buckdance," "bust down," and "jigging." "Patting" is distinguished from clapping by virtue of the varied pitches the patting hand elicits from the arms, chest, thighs, and flanks." 

During his working lifetime, Holman had full-time employment as a construction worker, and music was a part-time pursuit.. However, Holman toured both in the United States and overseas in the 1980s, which included performances at New York's Carnegie Hall, and abroad on behalf of the United States Information Agency's 'Arts America' program In 1980, Holeman played at the 42nd National Folk Festival at Wolf Trap, Virginia. He has performed yearly at the Black Banjo Festival in Boone North Carolina. His first album "Bull City After Dark" was nominated for a W.C. Handy award, the Blues equivalent of a Grammy, later renamed "Blues Music Awards." He recorded his album, Bull Durham Blues in 1988, which featured Taj Mahal. It was re-released on the Music Maker label in 1999. Also in 1988, the National Endowment for the Arts presented Holman with a National Heritage Fellowship.

In 1994, Holman was presented with the North Carolina Folk Heritage Award.A song he co-wrote with Kenny Wayne Shepherd, "Chapel Hill Boogie", was featured on the 2007 Grammy Award nominated album, 10 Days Out: Blues from the Backroads.

In 2007, Music Maker also issued the John Dee Holeman & the Waifs Band album, where Holeman was backed by the Australian folk rock group, The Waifs.