KAREN J. DALTON
Karen J. Dalton (nacida Karen J. Cariker; 19 de julio de 1937 – 19 de marzo de 1993) fue una cantante Cherokee de folk y blues, también guitarrista e intérprete de banjo. Está asociada con la escena folk de los primeros 60 en el Greenwich Village, particularmente con Fred Neil, The Holy Modal Rounders, y Bob Dylan.
Dalton nació en Enid, Oklahoma.1 Su voz bluesy es a menudo comparada a la de la cantante de jazz Billie Holiday, aunque Dalton dijo que Bessie Smith era una influencia mayor para ella . Cantó blues, folk, country, pop y soul. Tocaba la guitarra de doce cuerdas y el banjo.
El primer álbum de Dalton, It's So Hard to Tell Who's Going to Love You the Best (Capitol, 1969), fue reeditado por Koch Records en CD en 1996. El segundo álbum de Dalton, In My Own Time (1971), fue grabado en los Estudios Bearsville y publicado originalmente por Just Sunshine Records el sello del promotor de Festival de Woodstock, Michael Lang. El álbum fue producido y arreglado por Harvey Brooks, que también tocaba el bajo. También participó el pianista Richard Bell que había acompañado a Janis Joplin en 1970, en su última banda. Las notas de contraportada fueron escritas por Fred Neil y las fotos de la cubierta fueron tomadas por Elliott Landy.
Los dos álbumes fueron reeditados en noviembre de 2006: It's So Hard To Tell Who's Going To Love You The Best, en el sello francés Megaphone-Music, incluyendo un bonus DVD, con filmaciones raras de conciertos de Dalton. In My Own Time fue reeditado por Light In The Attic Records.
Conocida como " la réplica folk de Billie Holiday" y "Dulce Madre K.D.". Se dice que fue el tema de la canción "Katie's Been Gone" (compuesta por Richard Manuel y Robbie Robertson) en el álbum Las Cintas del Sótano de The Band y Bob Dylan, quién escribió de Dalton: "Mi cantante favorita...era Karen Dalton. Karen tenía una voz como Billie Holiday y tocaba la guitarra como Jimmy Reed... Canté con ella un par de veces."
Dalton estuvo estrechamente asociada con el cantautor Tim Hardin, cuyas canciones interpretaba. Fue la primera en cantar su "Reason to Believe". Estuvo casada con el guitarrista Richard Tucker, con quien a veces tocaba como dúo y en trío con Hardin.
Murió de cáncer de garganta en Nueva York en marzo de 1993, a los 55 años. Según su amigo Peter Walker, tenía sida desde 8 años antes.
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Karen J. Dalton (born Jean Karen Cariker; July 19, 1937 – March 19, 1993) was an American folk blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. Although she did not enjoy much commercial success during her lifetime, her music has gained significant recognition since her death. Artists like Nick Cave[2], Devendra Banhart, and Joanna Newsom have noted her as an influence.
Dalton was born Jean Karen Cariker in Bonham, Texas, but was raised in Enid, Oklahoma. She also lived in Stillwater, Oklahoma and Lawrence, Kansas. With two divorces behind her at the age of 21, Dalton left Oklahoma and arrived in Greenwich Village, New York City in the early 1960s. She brought her twelve string guitar, long-neck banjo, and at least one of her two children with her. And according to her daughter Abralyn Baird, at that point Dalton had lost two of her bottom teeth breaking up a fight between two of her boyfriends.
Greenwich Village scene
Dalton quickly became entrenched in the Greenwich Village folk musical scene of the 1960s. She played alongside big names of the time, including Bob Dylan (who occasionally backed her up on harmonica) Fred Neil, Richard Tucker, and Tim Hardin.She covered many of their songs in her own performances. She was among the first to sing Hardin's "Reason to Believe". She later married Tucker, with whom she sometimes played as a duo, and in a trio with Hardin.
While Dalton was a regular at famous folk venue Café Wha? and performed at benefit concerts for civil rights groups she was a reluctant performer and refused to perform her own songs. Combined with her use of alcohol and heroin, recording her music and touring was particularly hard.
It's So Hard to Tell Who's Going to Love You the Best (album)
Dalton was "not interested in playing the music industry's games in an era when musicians had little other choice," as bass player and producer Harvey Brooks noted. She often responded in anger when producers attempted to change her music while recording.
At first, producer Nik Venet was unsuccessful in recording her first album, It's So Hard to Tell Who's Going to Love You the Best (Capitol, 1969). It wasn't until he invited Fred Neil to a session that they were able to come away with recordings. And even then Venet and Neil were only successful by tricking Dalton into thinking the tape wasn't rolling. Dalton cut most of the tracks with one take, and all in one night. The record features songs from Neil, Hardin, Jelly Roll Morton, and Eddie Floyd & Booker T. Jones.It was re-released by Koch Records on CD in 1996.
In My Own Time (album)
Dalton's second album, In My Own Time (1971), was recorded at Bearsville Studios (which was set up by Bob Dylan's manager, Albert Grossman) and originally released by Woodstock Festival promoter Michael Lang's label, Just Sunshine Records. The album was produced and arranged by Harvey Brooks, who played bass on it. Piano player Richard Bell guested on In My Own Time. Its liner notes were written by Fred Neil and its cover photos were taken by Elliott Landy. Dalton brought her two teenage children, her dog, and her horse from Oklahoma to feel more at ease with recording.
Re-releases and tributes
It's So Hard to Tell Who's Going to Love You the Best was re-released on Koch records in 1997, in collaboration with New York based radio DJ and Karen Dalton fan Nicholas Hill, and with liner notes by Peter Stampfel. In 1999 the French label Megaphone music did a European re-release of the same album, which included a bonus DVD featuring rare performance footage of Dalton and a French TV feature on Karen Dalton from 1970. In My Own Time was re-released on CD and LP on November 7, 2006 by Light in the Attic Records.
Two recordings from 1962 and 1963, previously owned by Karen's friend Joe Loop who ran the little club "The Attic" in Boulder in the early 60's, were released on Megaphone in 2007 and 2008 as live album "Cotton eyed Joe" and home recorded album "Green rocky road" .
The compilation tribute album, Remembering Mountains: Unheard Songs by Karen Dalton, was released in 2015 by folk label Tompkins Square. In similar fashion to Wilco and Billy Bragg’s adaptions of Woody Guthrie songs in Mermaid Avenue, the album features adaptations of Dalton's work by artists including Patty Griffin, Lucinda Williams, Josephine Foster, Sharon Van Etten, and Julia Holter. The songs feature lyrics and poems Dalton wrote before her death, which were in the care of her friend, folk guitarist Peter Walker.
Style
Dalton's bluesy, world-weary voice is often compared to jazz singer Billie Holiday, though Dalton loathed the comparison and said Bessie Smith was a greater influence. Dalton sang blues, folk, country, pop, Motown—making over each song in her own style. She played the twelve string guitar and a long-neck banjo.
Known as "the folk singer's answer to Billie Holiday" and "Sweet Mother K.D.", Dalton is said to be the subject of the song "Katie's Been Gone" (composed by Richard Manuel and Robbie Robertson) on the album The Basement Tapes by The Band and Bob Dylan, who wrote of Dalton that "My favorite singer...was Karen Dalton. Karen had a voice like Billie Holiday and played guitar like Jimmy Reed... I sang with her a couple of times." Fred Neil once remarked, "She sure can sing the shit out of the blues."
Modern artists Nick Cave, Devendra Banhart, and Joanna Newsom have all noted her as an influence. So does country singer Lacy J. Dalton, who knew Dalton in Greenwich Village and adopted her surname as a tribute.
Later life
Commercial failure of her album In My Own Time and her estrangement with her children contributed to further substance abuse later in Dalton's life. Friend Lacy J. Dalton helped send her to rehab in Texas in the early 1990s; a stay which only lasted a couple of days before she demanded to be taken back home to Woodstock again.
Dalton lived in rural Colorado with husband Richard Tucker and daughter Abralyn during some years in the 1960s, in a small mining cabin in Summerville. Eventually she moved back to New York via LA, and later to Woodstock. Her last resort was a mobile home located in a clearing off Eagle's Nest Road, outside the town of Hurley, near Woodstock, New York.She died there in March 1993 from an AIDS-related illness, aged 55. According to her friend Peter Walker, she had been living with the disease for over 8 years.
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Karen J. Dalton (born Jean Karen Cariker; July 19, 1937 – March 19, 1993) was an American folk blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. Although she did not enjoy much commercial success during her lifetime, her music has gained significant recognition since her death. Artists like Nick Cave[2], Devendra Banhart, and Joanna Newsom have noted her as an influence.
Dalton was born Jean Karen Cariker in Bonham, Texas, but was raised in Enid, Oklahoma. She also lived in Stillwater, Oklahoma and Lawrence, Kansas. With two divorces behind her at the age of 21, Dalton left Oklahoma and arrived in Greenwich Village, New York City in the early 1960s. She brought her twelve string guitar, long-neck banjo, and at least one of her two children with her. And according to her daughter Abralyn Baird, at that point Dalton had lost two of her bottom teeth breaking up a fight between two of her boyfriends.
Greenwich Village scene
Dalton quickly became entrenched in the Greenwich Village folk musical scene of the 1960s. She played alongside big names of the time, including Bob Dylan (who occasionally backed her up on harmonica) Fred Neil, Richard Tucker, and Tim Hardin.She covered many of their songs in her own performances. She was among the first to sing Hardin's "Reason to Believe". She later married Tucker, with whom she sometimes played as a duo, and in a trio with Hardin.
While Dalton was a regular at famous folk venue Café Wha? and performed at benefit concerts for civil rights groups she was a reluctant performer and refused to perform her own songs. Combined with her use of alcohol and heroin, recording her music and touring was particularly hard.
It's So Hard to Tell Who's Going to Love You the Best (album)
Dalton was "not interested in playing the music industry's games in an era when musicians had little other choice," as bass player and producer Harvey Brooks noted. She often responded in anger when producers attempted to change her music while recording.
At first, producer Nik Venet was unsuccessful in recording her first album, It's So Hard to Tell Who's Going to Love You the Best (Capitol, 1969). It wasn't until he invited Fred Neil to a session that they were able to come away with recordings. And even then Venet and Neil were only successful by tricking Dalton into thinking the tape wasn't rolling. Dalton cut most of the tracks with one take, and all in one night. The record features songs from Neil, Hardin, Jelly Roll Morton, and Eddie Floyd & Booker T. Jones.It was re-released by Koch Records on CD in 1996.
In My Own Time (album)
Dalton's second album, In My Own Time (1971), was recorded at Bearsville Studios (which was set up by Bob Dylan's manager, Albert Grossman) and originally released by Woodstock Festival promoter Michael Lang's label, Just Sunshine Records. The album was produced and arranged by Harvey Brooks, who played bass on it. Piano player Richard Bell guested on In My Own Time. Its liner notes were written by Fred Neil and its cover photos were taken by Elliott Landy. Dalton brought her two teenage children, her dog, and her horse from Oklahoma to feel more at ease with recording.
Re-releases and tributes
It's So Hard to Tell Who's Going to Love You the Best was re-released on Koch records in 1997, in collaboration with New York based radio DJ and Karen Dalton fan Nicholas Hill, and with liner notes by Peter Stampfel. In 1999 the French label Megaphone music did a European re-release of the same album, which included a bonus DVD featuring rare performance footage of Dalton and a French TV feature on Karen Dalton from 1970. In My Own Time was re-released on CD and LP on November 7, 2006 by Light in the Attic Records.
Two recordings from 1962 and 1963, previously owned by Karen's friend Joe Loop who ran the little club "The Attic" in Boulder in the early 60's, were released on Megaphone in 2007 and 2008 as live album "Cotton eyed Joe" and home recorded album "Green rocky road" .
The compilation tribute album, Remembering Mountains: Unheard Songs by Karen Dalton, was released in 2015 by folk label Tompkins Square. In similar fashion to Wilco and Billy Bragg’s adaptions of Woody Guthrie songs in Mermaid Avenue, the album features adaptations of Dalton's work by artists including Patty Griffin, Lucinda Williams, Josephine Foster, Sharon Van Etten, and Julia Holter. The songs feature lyrics and poems Dalton wrote before her death, which were in the care of her friend, folk guitarist Peter Walker.
Style
Dalton's bluesy, world-weary voice is often compared to jazz singer Billie Holiday, though Dalton loathed the comparison and said Bessie Smith was a greater influence. Dalton sang blues, folk, country, pop, Motown—making over each song in her own style. She played the twelve string guitar and a long-neck banjo.
Known as "the folk singer's answer to Billie Holiday" and "Sweet Mother K.D.", Dalton is said to be the subject of the song "Katie's Been Gone" (composed by Richard Manuel and Robbie Robertson) on the album The Basement Tapes by The Band and Bob Dylan, who wrote of Dalton that "My favorite singer...was Karen Dalton. Karen had a voice like Billie Holiday and played guitar like Jimmy Reed... I sang with her a couple of times." Fred Neil once remarked, "She sure can sing the shit out of the blues."
Modern artists Nick Cave, Devendra Banhart, and Joanna Newsom have all noted her as an influence. So does country singer Lacy J. Dalton, who knew Dalton in Greenwich Village and adopted her surname as a tribute.
Later life
Commercial failure of her album In My Own Time and her estrangement with her children contributed to further substance abuse later in Dalton's life. Friend Lacy J. Dalton helped send her to rehab in Texas in the early 1990s; a stay which only lasted a couple of days before she demanded to be taken back home to Woodstock again.
Dalton lived in rural Colorado with husband Richard Tucker and daughter Abralyn during some years in the 1960s, in a small mining cabin in Summerville. Eventually she moved back to New York via LA, and later to Woodstock. Her last resort was a mobile home located in a clearing off Eagle's Nest Road, outside the town of Hurley, near Woodstock, New York.She died there in March 1993 from an AIDS-related illness, aged 55. According to her friend Peter Walker, she had been living with the disease for over 8 years.
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