STUDEBAKER JOHN

John  Grimaldi tomó su nombre artístico de la conocida marca de automóviles Studebaker ,  fué un asiduo del   blues del West Side de Chicago. Nacido el 5 de noviembre de 1952, su padre era músico aficionado , Ya de niño a John le dió por tocar los muchos instrumentos que encontraba en la casa. En la adolescencia se convirtió en un asiduo de  Maxwell Street , un lugar donde podía asistir a la actuación de  innumerables músicos de blues, empezó a centrarse en la armónica después de ver actuaciones de personajes como Little Walter y Sonny Boy Williamson - Tuvo una cita con una cita  Hound Dog Taylor , que le influyó para tomar la guitarra como otro recurso . Formó la banda de blues-rock The Hawks a principios de los años 70 , desde la cual empezaría a componer sus propios temas .El seguía con su trabajo diario como trabajador de la construcción, no fué hasta mediados de los 80 que  Grimaldi comenzó a grabar. 

        

                  

In his web site : 

Studebaker John Grimaldi was born in an Italian-American section of Chicago and started playing harmonica at age 7. Under the spell of music he heard on Maxwell Street, Chicago’s famed blues melting pot, Grimaldi began performing as Studebaker John and the Hawks in the ‘70s. The band name referenced the Studebaker Hawk, a car Grimaldi still owns today, and was also intended as a tribute to his friend, J.B. Hutto and the Hawks. John began playing guitar after a life-changing experience of seeing Hound Dog Taylor and the Houserockers perform. “…Hound Dog started playing, hitting notes that sent chills up and down my spine. He was versatile and powerful and would play rhythm as well as leads. I left there knowing what I wanted to do. I had to play slide guitar.”

1978: After playing at various Chicago clubs, John records his first record, Straight No Chaser, released on Retread Records. His second recording, Rocking the Blues, is released in 1985 on Avanti Records. John continues to work clubs and concerts in Chicago and the mid-west region.

1988: Nothin’ But Fun is released in Europe on Belgium’s Double Trouble label. A European tour follows in support of this recording. Due to the success of this release, Born to Win, also on Double Trouble, is released in 1990 resulting in more European tours. At home, John continues to play throughout the Midwest. The Chicago Tribune hails John as “a blues classic”.

1991: John joins the Yardbirds & Pretty Things to record a St. George and Demon Records’ release of classic Chicago Blues. This recording leads to another Demon Records’ release Wine, Women & Whiskey.

                 

1992: Rockin’ The Blues is re-released on the Double Trouble label.

1993: Canadian filmmaker, Atom Egoyan, selects three songs from Nothin’ But Fun and Born To Win to include in his film, Calendar.

1994: John records Too Tough, his 1st release on Blind Pig Records. Also in 1994, Atom Egoyan produces another film, Exotica, featuring two songs from Too Tough.

1995: Nothin’ But Fun is renamed Outside Lookin’ In and becomes John’s 2nd Blind Pig Records release.

1996: John collaborates with record producer Jim Gaines on his 3rd Blind Pig release, Tremoloxe. Studebaker John & the Hawks tour throughout the USA, Canada & Europe in support of this new release.

1997: Time Will Tell, John’s 4th Blind Pig recording, is released. Songs from the CD are featured in the 2001 film Cowboy Up, starring Kiefer Sutherland and Darrel Hannah. John’s music is also used for a CNN/NASCAR Raceway break-theme and in a Ford Thunderbird commercial shown during the 2002 season premiere episode of Fox TV’s “24”.

2001: Howl With The Wolf, released on Evidence Music, revisits John’s roots, one last look at the past before looking exclusively to the future.

2004: The Avanti Records’ release, Between Life & Death, showcases John’s unique songwriting talents, and his blazing guitar and harmonica technique, creating a new sound that transports the blues genre into the 21st century.

CD2006: Avanti Records’ Self-Made Man contains nearly 80 minutes of all original steamy blues and smokin’ blues-rock, incorporating Chicago, boogie, swamp, swing, and harmonica blues, all recorded with a live-in-the-studio sound that is true to Studebaker John’s stage performances.

As a songwriter and musician, Studebaker John has emerged as a major creative force in the world of the blues today. Ahead of the pack, with vision and foresight, creating a new standard and landscape for this music’s future… with John at the wheel, the future is now!

Photos copyright 2005 by David True, TRS Imagery. All rights reserved.