THELMA TERRY

Thelma Terry (born Thelma Combes, September 30, 1901 – May 30, 1966) was an American bandleader and bassist during the 1920s and 1930s. She led Thelma Terry and Her Playboys and was the first American woman to lead a notable jazz orchestra as an instrumentalist.

Terry was born in Bangor, Michigan in 1901. Her parents divorced when she was very young. She moved with her mother to Chicago, where the latter was employed as a servant for the wealthy Runner family. When Terry was given the opportunity to receive musical training with the instrument of her choice, she chose to study string bass. Her early years were spent on the road performing in Chautauqua assemblies. After graduating from Austin Union High School, she earned first chair in the Chicago Women's Symphony Orchestra. As this did not provide her with a living, she turned to jazz.

In Chicago

In the early 1920s, Chicago was noted for gangster violence as "Big Jim" Colosimo, Al Capone, and Bugs Moran fought for control of the city's illegal liquor trade. But Chicago also provided work for jazz musicians who migrated from New Orleans. Through contacts at Austin Union, she found her way into Chicago night life. After playing in and around Chicago for some years, sometimes with her female band Thelma Combes and her Volcanic Orchestra, sometimes in a jazz string quartet, she was hired for the house band in Colosimo's Restaurant owned by Capone in 1925. She played bass and sang at Colosimo's, sometimes on live radio.

Bandleader

A job at a Chicago theater in 1927 and an article in Variety brought national attention to Combes. The Music Corporation of America took notice. They renamed her "Thelma Terry" and gave her an all-male band, Thelma Terry and Her Playboys, with a young Gene Krupa on drums. Some sources state that the band's home was The Golden Pumpkin nightclub at 3800 West Madison in Chicago, and that the Playboys may have been the house band. MCA billed Terry as "The Beautiful Blonde Siren of Syncopation", "The Jazz Princess", and "The Female Paul Whiteman".[1] Bud Freeman was so enthusiastic about the band that he paid another musician to fill his seat in the Spike Hamilton Band so he could join the Playboys. The band was sent by MCA on a national tour that took them down the Eastern Seaboard and as far west as Kansas City.

In 1929, MCA decided that Terry and her band would begin an international tour beginning in Berlin, Germany. But by that time she had met Willie Haar, the owner of a Savannah, Georgia resort at which the band played during their 1929 tour. Terry disbanded the Playboys and quit MCA to marry Haar and settle in Savannah.

Later life

Terry married Haar in 1929 and had a daughter, Patti, in 1931. She divorced Haar in 1936 and tried to make a comeback in Chicago. Terry sold her string bass, turned her back on the music profession, and took a job as a knitting instructor. In the 1950s, she moved to Michigan, where she met with Gene Krupa, the drummer for the Playboys. Krupa told her that he was sorry she was not mentioned in his 1959 biographical movie The Gene Krupa Story. She spent her last years with Patti and her family in Michigan. She died of esophageal cancer at the age of 64 on May 30, 1966.

Discography

Thelma Terry and Her Playboys did not leave many recordings. Terry made six recordings, five in Chicago and two in New York City, between 1929 and 1931. (Rust, 2002, lists seven total, with two recordings of "Lady of Havana".)

La bajista y cantante Thelma Terry fue una de las primeras mujeres en liderar su propia orquesta de jazz. Nacida como Thelma Combes en una familia pobre en Chicago, a los 18 años Terry empezó tocando  en la Orquesta Sinfónica de Mujeres de Chicago. Había sido estudiante en Austin High School, y muchos de los llamados "Austin High Gang" tocaron en un momento u otro en su banda.Seguramente que el estudiante de Austin High más importante para la historia de Terry fue el baterista Gene Krupa, quien grabó con la orquesta de Terra  el 29 de marzo de 1928. Otros miembros de la banda de Thelma Terry en un momendo determinado fueron el  pianista Bob Zurke , así como  Bud Jacobson, Bud Freeman y Charles Dornberger. 

Terry era realmente la única mujer en su profesión y se veía con serias dificultades a la hora de ser tomanda en serio y le resultó muy difícil  tocar jazz como le hubiera gustado y en los sitios que le hubiera gustado  . Terry finalmente tiró la toalla  y en 1929 se casó ydecidió acab ar con  su carrera musical. Sin embargo con posterioridad intentó en diferente ocasiones volver pero jamás consiguió que sus ofertas fuesen tenidas en cuenta 

Thelma Terry y sus Playboys llegaron a grabar seis álbumes , que son tenidos muy en cuenta en la historia del jazz clásico al estilo de Chicago. En 1998 se descubrió una maqueta de estas sesiones donde Thelma Terry canta vocalese,  estilo de canto en jazz que se suele añadir al solo de los instrumentistas en este caso  en el solo de Bix Beiderbecke en "Singin 'the Blues", demostrando una forma de hacer absolutamente vanguardista, que no fué reconocida hasta mucho más tarde.