WILLIAM GRANT STILL
William Grant Still (Woodville, 11 de mayo de 1895 - Los Ángeles, 3 de diciembre de 1978) fue un compositor y director de orquesta estadounidense que escribió más de 150 composiciones. Fue el primer afroamericano que dirigió una gran orquesta sinfónica estadounidense, el primero en conseguir que una sinfonía (su primera sinfonía) fue interpretada por una gran orquesta, el primero en conseguir que una ópera se interpretara por una gran compañía de ópera, y el primero en conseguir que una ópera suya se retransmitiera por la televisión nacional. A menudo se alude a él como "el decano" de los compositores afroamericanos.
Cuando su padre murió en 1895, su madre se trasladó a Little Rock, donde creció. Con el apoyo del segundo esposo de su madre, estudió violín en 1908 con el violinista estadounidense William Price, que vivió durante un tiempo en Little Rock. Aunque empezó a estudiar Medicina en la Universidad Wilberforce en Ohio, lo abandonó en beneficio de la música.
En 1916 conoció al músico de blues W. C. Handy, que le dio la oportunidad de tocar con su banda. Al año siguiente, entró en el conservatorio de música en Oberlin donde aprendió a tocar el oboe. Combatió en la Primera Guerra Mundial. Después de la guerra, en 1919, se trasladó a Harlem en Nueva York
Los años veinte fueron decisivos para él: estudió composición con George Chadwick en 1921 en Boston, en el Conservatorio de música de Nueva Inglaterra, luego en Nueva York durante dos años, junto a Edgard Varèse.
Se inició en otros repertorios trabajando principalmente con William Christopher Handy (apodado "El padre del blues"). Siendo afroamericano, William Grant Still (como el británico Samuel Coleridge-Taylor ante que él, a quien admiraba) defendió la causa de los que combatían su origen, y en contra de la segregación racial. En esos mismos años veinte participó en el movimiento "Renacimiento de Harlem" destinado a promover la cultura afroamericana, la cual marcó su música durante toda la existencia. Como oboista, tocó con la "Harlem Orchestra" de Nueva York y en la orquesta de la comedia musical tuvo éxito Shuffle Along, con un reparto exclusivamente afroamericano, tocó en Broadway en 1921-1922.
Su primera esposa fue Grace Bundy, de la que se divorció en 1939, año en que se casó con Verna Arvey en México, donde los matrimonios interraciales eran legales. Tuvieron dos hijos.
En Los Ángeles fue solicitado por Hollywood para realizar arreglos musicales y orquestaciones de música de películas. Por ejemplo, es suya la orquestación de Dimitri Tiomkin en Lost Horizon, película de Frank Capra en 1937. Es igualmente el autor (sin ser acreditado por ello) de la música de seis películas en 1936-1937.
William Grant Still Jr. (May 11, 1895 – December 3, 1978) was an American composer of nearly 200 works, including five symphonies, four ballets, nine operas, over thirty choral works, plus art songs, chamber music and works for solo instruments.
Often referred to as the "Dean of Afro-American Composers", Still was the first American composer to have an opera produced by the New York City Opera. Still is known primarily for his first symphony, Afro-American Symphony (1930), which was, until 1950, the most widely performed symphony composed by an American.
Born in Mississippi, he grew up in Little Rock, Arkansas, attended Wilberforce University and Oberlin Conservatory of Music, and was a student of George Whitefield Chadwick and later Edgard Varèse.
Of note, Still was the first African American to conduct a major American symphony orchestra, the first to have a symphony (his 1st Symphony) performed by a leading orchestra, the first to have an opera performed by a major opera company, and the first to have an opera performed on national television.
Due to his close association and collaboration with prominent African-American literary and cultural figures, Still is considered to be part of the Harlem Renaissance movement.
William Grant Still, Jr. was born on May 11, 1895, in Woodville, Mississippi. He was the son of two teachers, Carrie Lena Fambro (1872–1927) and William Grant Still Sr (1871–1895). His father was a partner in a grocery store and performed as a local bandleader. William Grant Still Sr. died when his infant son was three months old.
Still's mother moved with him to Little Rock, Arkansas, where she taught high school English. She met and in 1904 married Charles B. Shepperson, who nurtured his stepson William's musical interests by taking him to operettas and buying Red Seal recordings of classical music, which the boy greatly enjoyed. The two attended a number of performances by musicians on tour. His maternal grandmother Anne Fambro sang African-American spirituals to him.
William Grant Still Residence at 1262 South Victoria Avenue, 2012
Still started violin lessons in Little Rock at the age of 15. He taught himself to play the clarinet, saxophone, oboe, double bass, cello and viola, and showed a great interest in music.[citation needed] At 16 years old, he graduated from M. W. Gibbs High School in Little Rock.
His mother wanted him to go to medical school, so Still pursued a Bachelor of Science degree program at Wilberforce University, a historically black college in Ohio.[4] Still became a member of Kappa Alpha Psi fraternity. He conducted the university band, learned to play various instruments, and started to compose and to do orchestrations. He left Wilberforce without graduating.
Upon receiving a small amount of money left to him by his father, he began studying at the Oberlin Conservatory of Music. Still worked for the school assisting the janitor, along with a few other small jobs outside of the school, yet still struggled financially. When Professor Lehmann asked Still why he wasn't studying composition, Still told him honestly that he couldn't afford to, leading to George Andrews agreeing to teach him composition without charge. He also studied privately with the modern French composer Edgard Varèse and the American composer George Whitefield Chadwick.
On October 4, 1915,Still married Grace Bundy, whom he had met while they were both at Wilberforce. They had a son, William III, and three daughters, Gail, June, and Caroline.They separated in 1932 and divorced February 6, 1939.On February 8, 1939, he married pianist Verna Arvey, driving to Tijuana for the ceremony because interracial marriage was illegal in California. They had a daughter, Judith Anne, and a son, Duncan. Still's granddaughter is journalist Celeste Headlee by way of Judith Anne.
On December 1, 1976, his home was designated Los Angeles Historic-Cultural Monument #169. It is located at 1262 Victoria Avenue in Oxford Square, Los Angeles.
Career
William Grant Still
In 1916 Still worked in Memphis for W.C. Handy's band. In 1918 Still joined the United States Navy to serve in World War I. After the war he went to Harlem, where he continued to work for Handy. During his time in Harlem Still was involved with other important cultural figures of the Harlem Renaissance such as Langston Hughes, Alain Locke, Arna Bontemps, and Countee Cullen, and is considered to be part of that movement.
He recorded with Fletcher Henderson's Dance Orchestra in 1921, and later played in the pit orchestra for Noble Sissle and Eubie Blake's musical, Shuffle Along and in other pit orchestras for Sophie Tucker, Artie Shaw, and Paul Whiteman. With Henderson, he joined Henry Pace's Pace Phonograph Company (Black Swan). Later in the 1920s, Still served as the arranger of Yamekraw, a "Negro Rhapsody" composed by the Harlem stride pianist James P. Johnson.
In the 1930s Still worked as an arranger of popular music, writing for Willard Robison's Deep River Hour and Paul Whiteman's Old Gold Show, both popular NBC Radio broadcasts.
Still's first major orchestral composition, Symphony No. 1 "Afro-American", was performed in 1931 by the Rochester Philharmonic, conducted by Howard Hanson. It was the first time the complete score of a work by an African American was performed by a major orchestra. By the end of World War II the piece had been performed in New York, Chicago, Los Angeles, Berlin, Paris, and London. Until 1950 the symphony was the most popular of any composed by an American. Still developed a close professional relationship with Hanson; many of Still's compositions were performed for the first time in Rochester.
In 1934 Still moved to Los Angeles. He received his first Guggenheim Fellowship and started work on the first of his eight operas, Blue Steel.
In 1936, Still conducted the Los Angeles Philharmonic Orchestra at the Hollywood Bowl; he was the first African American to conduct a major American orchestra in a performance of his own works.
Still arranged music for films. These included Pennies from Heaven (the 1936 film starring Bing Crosby and Madge Evans) and Lost Horizon (the 1937 film starring Ronald Colman, Jane Wyatt and Sam Jaffe). For Lost Horizon, he arranged the music of Dimitri Tiomkin. Still was also hired to arrange the music for the 1943 film Stormy Weather, but left the assignment because "Twentieth-Century Fox 'degraded colored people.'"
Still composed Song of a City for the 1939 World's Fair in New York City. The song played continuously during the fair by the exhibit "Democracity."According to Still's granddaughter, he couldn't attend the fair except on "Negro Day" without police protection.
In 1949 his opera Troubled Island, originally completed in 1939, about Jean-Jacques Dessalines and Haiti, was performed by the New York City Opera. It was the first opera by an American to be performed by that company and the first by an African American to be performed by a major company. Still was upset by the negative reviews it received.
In 1955 he conducted the New Orleans Philharmonic Orchestra; he was the first African American to conduct a major orchestra in the Deep South. Still's works were performed internationally by the Berlin Philharmonic Orchestra, the London Symphony Orchestra, the Tokyo Philharmonic Orchestra, and the BBC Orchestra.
In 1981 the opera A Bayou Legend was the first by an African-American composer to be performed on national television.
Still was known as the "Dean of Afro-American Composers".Still and Arvey's papers are held by the University of Arkansas.
Legacy and honors
Still received three Guggenheim Fellowships in music composition (1934, 1935, 1938) and at least one Rosenwald Fellowship.
In 1949, he received a citation for Outstanding Service to American Music from the National Association for American Composers and Conductors
In 1976, his home in Los Angeles was designated a Historic-Cultural Monument.
He was awarded honorary doctorates from Oberlin College, Wilberforce University, Howard University, Bates College, the University of Arkansas, Pepperdine University, the New England Conservatory of Music, the Peabody Conservatory in Baltimore, and the University of Southern California.[citation needed]
He was posthumously awarded the 1982 Mississippi Institute of Arts and Letters award for music composition for his opera A Bayou Legend.
Selected compositions
Still composed almost 200 works, including nine operas,[ five symphonies, four ballets,plus art songs, chamber music, and works for solo instruments. He composed more than thirty choral works. Many of his works are believed to be lost.
From the Land of Dreams (1924)
Darker America (1924)
Levee Land (1925)
From The Black Belt (1926)
La Guiablesse (1927)
Sahdji (1930)
Africa (1930)
Symphony No. 1, "Afro-American" (1930, revised in 1969)
A Deserted Plantation (1933)
The Sorcerer (1933)
Dismal Swamp (1933)
Kaintuck (1933)
Blue Steel (1934)
A Song A Dust (1936)
Summerland (1936)
Symphony No. 2 in G minor "Song of A New Race" (1937)
Lenox Avenue (1938)
Song of A City (1938)
Seven Traceries (1939)
And They Lynched Him on A Tree (1940)
Miss Sally's Party (1940)
Can'tcha line 'em, for orchestra (1940)
Old California (1941)
Troubled Island, opera, produced 1949 (1937–39)
A Bayou Legend, opera (1941)
Plain-Chant for America (1941)
Incantation and Dance (1941)
A Southern Interlude (1942)
In Memoriam: The Colored Soldiers Who Died for Democracy (1943)
Suite for Violin & Piano (1943)
Festival Overture (1944)
Poem for Orchestra (1944)
Bells (1944)
Symphony No. 5, "Western Hemisphere" (1945, revised 1970)
From The Delta (1945)
Wailing Woman (1946)
Archaic Ritual Suite (1946)
Symphony No. 4, "Autochthonous" (1947)
Danzas de Panama (1948)[
From A Lost Continent (1948)
Miniatures (1948)
Constaso (1950)
To You, America (1951)
Grief, originally titled by Still as Weeping Angel (1953)
The Little Song That Wanted To Be A Symphony (1954)
A Psalm for The Living (1954)
Rhapsody (1954)
The American Scene (1957)
Serenade (1957)
Ennanga (1958)
Symphony No. 3, "The Sunday Symphony" (1958)
Lyric Quartette (1960)
Patterns (1960)
The Peaceful Land (1960)
Preludes (1962)
Highway 1 USA (1963)
Folk Suite No. 4 (1963)[6]
Threnody: In Memory of Jan Sibelius (1965)
Little Red School House (1967)
Little Folk Suite (1968)
Choreographic Prelude (1970)
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