LEFTY BYTES ( II )

    "Lefty" Bates on guitar with the Aristo-Kats, 1946.

Fué en el año 2013 que hacíamos una pequeña reseña de Lefty " Guitar " Bytes, que hoy ampliamos :

Bates era un guitarrista" cruce " de géneros que tocó con muchos de los grandes,bluesmen partició en numerosos álbumes de  jazz y R & registrados  en Chicago. Desde la década de 1930 a 1950, era conocido como el  Lefty " Zurdo " Guitarra Bates, creador de  sus propias bandas y músico  adaptable de sesión muy versátil. Su trabajo de la guitarra se puede escuchar en innumerables álbumes producidos bajo sellos como Vee-Jay, ajedrez, Decca, el Club 51 y RCA. Además de tocar con grupos como el de The Dorados, Flamingos ,The Impressions ó The Moroccos, fue acompañante durante tiempo de algunos  artistas de blues.  Grabó con John Lee Hooker, Jimmy Reed, Etta James, Curtis Mayfield y otros. En el escenario, además de las bandas citadas tocó con otros como The Aristo-Cats . 

                 

                                   

                                   

Lefty Bates (March 9, 1920 – April 7, 2007) was an American Chicago blues guitarist. He led the Lefty Bates Combo and worked with the El Dorados, the Flamingos, Jimmy Reed, John Lee Hooker, Buddy Guy, Etta James, the Aristo-Kats, the Hi-De-Ho Boys, the Moroccos, and the Impressions. A regular on the Chicago blues scene, his major work was as a session musician on numerous recordings in the 1950s and 1960s.

Bates was married to the well-known area club dancer Mary Cole Bates, who died in 2001.

He was born William Bates in Leighton, Alabama, and acquired his nickname from his left-handed guitar playing. He was raised in St. Louis, Missouri, attended Vashon High School, and there helped to form the Hi-De-Ho Boys.In 1936, they relocated to Chicago, recorded for Decca Records and played in clubs. After serving in the military in World War II, Bates joined the Aristo-Kats, who recorded for RCA Victor.

Bates formed his own ensemble with Quinn Wilson, and they played locally through most of the 1950s. Their few recordings were issued by United, Boxer, Mad and Apex Records under Bates's name. Most of his paid work came from regular performances in clubs and as a session musician, notably as a rhythm guitarist with Jimmy Reed and Buddy Guy.[1] He undertook other work with Larry Birdsong and Honey Brown. His versatility led to employment as part of the studio band for Vee-Jay Records, with Red Holloway and Vernel Fournier, among others.[4] Most of the musicians there had earlier worked for Chance Records, backing Jimmy Reed and the Spaniels. Vee-Jay's financial strength helped them survive, and their studio band was expected to back diverse musicians on an ad hoc basis, including R&B, blues, jazz and doo-wop artists.[1] In 1955, the El Dorados found national success with "At My Front Door", on which Bates played guitar, and which peaked at number one on the Billboard R&B chart.

From 1955, Bates worked in a similar manner with another Chicago-based record label, Club 51,[4] where he had the luxury of leading the Lefty Bates Orchestra. At Club 51 he backed the Five Buddies and Sunnyland Slim.In 1957, Bates and Earl Hooker backed the singer Arbee Stidham on his recording of "Look Me Straight in the Eye".

In 1959, Bates played with Reed on his recording of "Baby What You Want Me to Do". In March 1960, he was part of the backing trio for John Lee Hooker on his album Travellin'.[8] In 1961, he performed on the album Jimmy Reed at Carnegie Hall, and in the same year played on Reed's recording of "Big Boss Man".

Bates died of an arteriosclerosis in Chicago in April 2007, aged 87.